Quill

“Like nature where no two shapes are alike, each Quill rug has its own expression like a living creature.” – Nao Tamura

Inspired by stems from a feather, drawn by hand, each design is organic and subtle. As with all nanimarquina rugs, the Quill Collection is handmade resulting in each piece being unique and different like nature itself.
Quill expresses the understanding of the beauty that lies in the modest, rustic and imperfect. What the Japanese refer to as wabi sabi, a philosophy that is apparent throughout Tamura’s work.

Available in three sizes and a pastel palette including: ivory, pale olive, and stone green, the Quill rugs are beautiful alone and can also be placed together to form inspiring combinations.

Nao Tamura

Nao Tamura is a designer in the most modern terms. Her talents cross-over cultures, languages, disciplines, concepts and styles with consistency of smart thinking always at the heart of their work. She is truly global in her insights and execution. As a product of Tokyo and New York City creative communities, her solutions are equally at ease in the world of 2D and 3D, with an uncanny ability to find that emotional connection with the industry status-quo often insists upon. Her unique solutions are more than simply design and possess a rare balance of innovation and beauty.

Nao Tamura has also received a number of prestigious awards including: IF Design Award, Red Dot Design Award, Industrial Design Excellence Awards (Gold), Milano Salone Satellite Award (1st prize) and so on.

Quill M

Size guide

's models

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Hand tufted

This technique requires a pistol-like tool to punch the fiber strands into a previously stretched fabric in a frame.

  1. To start the process, the strands are punched into the areas marked by the mapping (a template used to transfer the digital design to the rug support).

  2. Next, the protruding strands are cut and shaved to achieve the desired pile height.

  3. The design is contoured with scissors or a needle in order to correctly define the different areas of the motif.

  4. Once the motif is defined, a layer of latex is applied to the reverse side of the rug to ensure that the strands remain attached to the structure.

  5. To finish, a layer of fabric is affixed to act as a lining, offering a quality finish.

This technique permits curvilinear shapes, different pile heights, as well as the application of different colors within the same rug.

High density and durability.