Silhouette is a collection of rugs designed by Jaime Hayon for indoor and outdoor use that highlights the acclaimed casual style of the designer and artist.
Depicted with a delicate stroke, the illustration defines the silhouettes of several imaginary characters that intertwine and coexist in a beautiful composition. Hayon subtly introduces color through small elements brimming with personality that help to interpret each of the images. Nine faces are distributed at different angles so that the rug can be viewed from any perspective, fitting perfectly in any space.
nanimarquina introduces the embroidery on kilim technique for the first time, a laborious process handmade in Pakistan where the chain stitch embroidery adds texture and a soft volume that emphasizes the sinuousness of the illustration. Despite its delicate appearance, it is a sturdy technique suitable for both residential and commercial use. Available in two standard sizes, the indoor model also includes a tapestry piece that can be hung vertically.
Born in Madrid in 1974, Jaime Hayón has one of the most glittering careers in recent contemporary design. Although trained in Madrid, he forged his reputation at Fabrica, the creative breeding ground run by Benetton near the Italian city of Treviso. Arriving in 1997, at the young age of 24, Hayón worked for Oliviero Toscani, who would soon place him in charge of the design department. It was at Fabrica that Hayón first worked with BD on the Mail Me project.
In 2004, he decided to branch out on his own, settling in Barcelona and working on a number of projects while also exhibiting his more personal work in art galleries. The exhibition “Mediterranean Digital Baroque”, at London’s David Gill Gallery, and the bathroom collection he designed for ArtQuitect marked the start of his meteoric international rise, which was established with the Showtime collection for BD and his subsequent work with companies such as Metalarte, Camper, Lladró, Bisazza, Swarovsky, and Moooi.
This technique requires a pistol-like tool to punch the fiber strands into a previously stretched fabric in a frame.
To start the process, the strands are punched into the areas marked by the mapping (a template used to transfer the digital design to the rug support).
Next, the protruding strands are cut and shaved to achieve the desired pile height.
The design is contoured with scissors or a needle in order to correctly define the different areas of the motif.
Once the motif is defined, a layer of latex is applied to the reverse side of the rug to ensure that the strands remain attached to the structure.
To finish, a layer of fabric is affixed to act as a lining, offering a quality finish.
This technique permits curvilinear shapes, different pile heights, as well as the application of different colors within the same rug.
High density and durability.